|Birth name||Frank Henry Loesser|
June 29, 1910|
New York City, New York, US
July 28, 1969 (aged 59)|
New York City, New York, US
|Occupation(s)||Composer, lyricist, screenwriter|
Frank Henry Loesser (//; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the lyrics and music to the Broadway musicals Guys and Dolls and How To Succeed In Business Without Really Trying, among others. He won separate Tony Awards for the music and lyrics in both shows, as well as sharing the Pulitzer Prize for Drama for the latter. He also wrote numerous songs for films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once, for "Baby, It's Cold Outside".
Loesser was born to a Jewish family<ref>Bloom, Nate (December 22, 2014). "All those Holiday/Christmas Songs: So Many Jewish Songwriters!". Jewish World Review.</ref> in New York City to Henry Loesser, a pianist,<ref name=pbs>Frank Loesser biography, pbs.org, accessed December 5, 2008</ref> and Julia Ehrlich.<ref name=":0">Loesser, Susan (1993). A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life. New York: Donald I Fine, Inc. p. 1. ISBN 1-55611-364-1.</ref><ref name="Cogdill 2010 1">Cogdill 2010, p. 1</ref> He grew up in a house on West 107th Street in Manhattan. His father had moved to America to avoid Prussian military service and working in his family's banking business. He came to America and married Berthe (Ehrlich), and had a son in 1894, Arthur Loesser. In 1888, Berthe's sister Julia arrived in America. Julia and Henry soon fell in love and Julia really loved Arthur, but Berthe sent her to Washington D.C. Berthe died in childbirth and Julia moved back in and married Henry in 1907. Their first child, Grace, was born in December of that year.<ref name=Lasser >Lasser, Michael (2002). "Francis Henry Loesser" American Song Lyricists, 1920-1960. Gale. ISBN 978-0-7876-6009-3.</ref> Both his parents, secular German Jews, prized high intellect and culture, and Loesser was educated musically in the vein of European composers.<ref name="Cogdill 2010 1"/> But although Henry was a full-time piano teacher, he never taught his son. In a 1914 letter to Frank's older half-brother Arthur Loesser, Henry wrote that the 4-year-old Frank could play by ear "any tune he's heard and can spend an enormous amount of time at the piano."<ref>Loesser 1993, p. 8-10</ref> (Frank Loesser would later collaborate with musical secretaries to ensure that his written scores—he was self-taught—reflected the music as he conceived it.<ref>Loesser 1993, p. 154-156</ref>)
Loesser did not like his father's refined taste of music and resisted when he wrote his own music and took up the harmonica. He was expelled from Townsend Harris High School, and from there went to City College of New York (even though he had no high school diploma).<ref name="Lasser" /> He was expelled from the CCNY in 1925 after one year for failing every subject except English and gym.<ref name="Cogdill 2010 1" />
After his father died suddenly in 1926, Loesser was forced to seek work in order to support his family.<ref name="Maiers 2009 1–3">Maiers 2009, pp. 1–3</ref> He held various jobs like restaurant reviewer, process server, sold classified ads for the New York Herald Tribune, drew political cartoons for The Tuckahoe Record, sketch writer for Keith Vaudeville Circuit, a knit-goods editor for Women’s Wear Daily, a press representative for a small movie company, and city editor for a short-lived newspaper in New Rochelle, New York called New Rochelle News.<ref name="Cogdill 2010 1"/><ref name="Lasser"/>
After his many various jobs, he decided that he wanted to write in Tin Pan Alley and signed several contracts with music publishers before his contracts were eventually terminated. His first song credit is listed as "In Love with the Memory of You", with music by William Schuman, published in 1931.<ref name="Maiers 2009 1–3"/>
Loesser's early lyrics included two hit songs of 1934, "Junk Man" and "I Wish I Were Twins" (both with music by Joe Meyer, and the latter with co-lyric credit to Eddie DeLange). However, they apparently did not help his reputation, and in later years, he never mentioned them.
In the mid-1930s he would sing for his suppers at The Back Drop, a night spot on east 52nd Street along with composer Irving Actman, but during the day he worked on the staff of Leo Feist Inc. writing lyrics to Joseph Brandfon's music at $100 a week. After a year, Feist had not published any of them. He fared only slightly better collaborating with the future classical composer William Schuman, selling one song, that would flop, to Feist. Loesser described his early days of learning the songwriting craft as having "a rendezvous with failure." But while he dabbled in other trades, he inevitably returned to the music business.<ref name="Cogdill 2010 1"/><ref>Loesser 1993, p. 13-15</ref>
The Back Drop turned out to have some substantial connections. Due to his work there he was able to secure his first Broadway musical, The Illustrator’s Show, a 1936 revue written with Back Drop collaborator Irving Actman, lasted only four nights. The year before, while performing at the Back Drop, he met an aspiring singer, Lynn Garland (born Mary Alice Blankenbaker). He proposed in a September 1936 letter that included funds for a railroad ticket to Los Angeles where Loesser's contract to Universal Pictures had just ended. The couple married in a judge's office.<ref>Loesser 1993, p. 24-25</ref> Loesser was subsequently offered a contract by Paramount Pictures. His first song credit with Paramount was "Moon of Manakoora" written with Alfred Newman for Dorothy Lamour in the film The Hurricane.<ref name="Cogdill 2010 1" /> He wrote the lyrics for many popular songs during this period, including "Two Sleepy People" and "Heart and Soul" with Hoagy Carmichael and "I Hear Music" with Burton Lane. He also worked with Arthur Schwartz, and Joseph J. Lilley.
One of his notable efforts was "See What the Boys in the Back Room Will Have", with music by Friedrich Hollaender sung by Marlene Dietrich in Destry Rides Again." In 1941, he wrote "I Don't Want to Walk Without You" with Jule Styne included in the 1942 film Sweater Girl and sung by Betty Jane Rhodes.<ref name="Cogdill 2010 1"/> Irving Berlin was a huge fan of the song, and once played it over and over again telling Loesser why he believed it was the greatest song he wished he'd written.<ref name=independent>Vallance, Tom (2012-01-30). "Betty Jane Rhodes: Actress and singer who charmed the US as a wartime sweetheart". The Independent. Retrieved 2012-01-30.</ref>
He stayed in Hollywood until World War II, when he joined the Army Air Force.<ref name=pbs/>
World War II era
During World War II, he was in the Army Air Force, and continued to write lyrics for films and single songs.<ref name=pbs/> Loesser wrote the popular war song "Praise the Lord and Pass the Ammunition" (1942) inspired by words spoken by navy chaplain William Maguire. Members of the Western Writers of America chose his 1942 composition Jingle Jangle Jingle as one of the Top 100 Western songs of all time.<ref name="Top100">Western Writers of America (2010). "The Top 100 Western Songs". American Cowboy. Archived from the original on 10 August 2014.</ref>
Loesser usually wrote songs to a "dummy" tune, meaning the music was just a stand-in until more suitable music could be composed. After the positive reaction to Loesser writing both music and lyrics to the song, it encouraged him to write both his own music and lyrics.<ref name="Cogdill 2010 1"/> Loesser wrote other songs at the request of the armed forces including "What Do You Do in the Infantry?" and "The Ballad of Rodger Young" (1943), among others.<ref name=pbs/> He also wrote "They’re Either Too Young or Too Old" for the 1943 film Thank Your Lucky Stars.<ref name="Cogdill 2010 1"/>
In 1944, Loesser worked as the lyricist on a little-known musical intended to be performed by and for US soldiers abroad, titled Hi Yank!, the music for which was composed by Alex North. Hi Yank! was produced by the U.S. Army Office of Special Services as a "blueprint special" to boost the morale of soldiers located where USO shows could not visit. The "blueprint" was a book containing a musical script with instructions for staging the show, using materials locally available to deployed soldiers. A document located at the US Army Centre for Military History states, "A touring company has been formed in Italy to tour a production of Hi, Yank!".<ref>PBS History Detectives; "Blueprint Special", 2008, show transcript, PDF pbs.org</ref>
This unique Hi Yank! show, without stars or a conventional theater run, was generally forgotten until 2008, when the PBS History Detectives TV show researched the case of a long-saved radio transcription disc.<ref>PBS History Detectives; "Blueprint Special" Aired: Season 6, Episode 10; 2008 pbs.org</ref> The disc has two songs and a promotional announcement for the show's Fort Dix premiere in August 1944, when the disc was broadcast there.<ref>Click on player at the bottom to listen to the recording of the Hi Yank soldier musical. (7m37s) pbs.org</ref>
In 1948, Broadway producers Cy Feuer and Ernest Martin asked Loesser to write both music and lyrics to George Abbott's book for an adaptation of the Brandon Thomas play Charley's Aunt. That musical, Where's Charley? (1948), starred Ray Bolger, and ran for a successful 792 performances, with a film version being released in 1952.
In 1948, he sold the rights to a song he wrote in 1944 and performed informally at parties with his then wife Lynn Garland to MGM. The studio included it in the 1949 movie Neptune's Daughter, and the song, "Baby, It's Cold Outside", became a huge hit. Garland was mad at Loesser for selling what she considered "their song" to MGM.<ref name="Loesser">Loesser, Susan (1993). A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life; A Portrait by His Daughter. Hal Leonard. pp. 8–10. ISBN 1-55611-364-1.</ref> He ended up winning the Academy Award for Best Original Song for the song.
His next musical, Guys and Dolls (1950), based on the stories of Damon Runyon, was again produced by Feuer and Martin. Guys and Dolls became a hit and earned Loesser two Tony Awards.<ref name=mti>Loesser biography, mtishows.com, accessed August 4, 2009</ref> Bob Fosse called Guys and Dolls "the greatest American musical of all time."<ref name="Cogdill 2010 1"/> A film version was released in 1955, and starred Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine.
In 1950, Loesser started his own publishing company Frank Music Corporation. It was created to control and publish his work but eventually supported other writers such as Richard Adler, Jerry Ross, and Meredith Willson.<ref name="Maiers 2009 1–3"/>
After working on Neptune's Daughter, he wished to write more than one song for a film. His wish was granted in 1952 when he wrote the music and lyrics for the film Hans Christian Andersen. The movie had notable songs such as "Wonderful Copenhagen", "Anywhere I Wander", "Thumbelina", and "Inchworm".<ref name="Maiers 2009 1–3"/>
He wrote the book, music and lyrics for his next two musicals, The Most Happy Fella (1956) and Greenwillow (1960). Around the beginning of 1957, Lynn and Loesser got divorced, and Loesser then began a relationship with Jo Sullivan, who had a leading role in Fella. He wrote the music and lyrics for How to Succeed in Business Without Really Trying (1961), which ran for 1,417 performances and won the 1962 Pulitzer Prize for Drama and for which he received two more Tonys.
Pleasures and Palaces (1965), the last Loesser musical produced during his lifetime, closed during out-of-town tryouts.
Later life and death
At the time of his death, Loesser was writing the book, music and lyrics for Señor Discretion Himself, a musical version of the Budd Schulberg short story. A version was presented in 1985 at the New York Musical Theatre Works. With the support of Jo Loesser, a completed version was presented at the Arena Stage, Washington, DC, in 2004, reworked by the group Culture Clash and director Charles Randolph-Wright.<ref>Riis, Thomas Laurence. Frank Loesser (2008), Yale University Press, Template:Catalog lookup linkScript error: No such module "check isxn"., p,219-223</ref>
When he was asked why he did not write more shows, Loesser responded that "I don’t write slowly, it’s just that I throw out fast." The New York Times confirmed his hard working habits and wrote that Loesser "was consumed by nervous energy and as a result slept only four hours a night, spending the rest of the time working."<ref name="Cogdill 2010 1"/>
Loesser, an avid smoker, died in 1969 of lung cancer at age 59 in New York City.<ref>Krebs, Alvin, "Frank Loesser, Composer, Dead," The New York Times, July 29, 1969, p. 1</ref>
Lynn Garland and Frank Loesser divorced around the beginning of 1957, after 21 years of marriage.<ref>Frank Loesser biography tcm.com, accessed December 5, 2008</ref> They had two children together: John Loesser, who works in theatre administration,<ref>Genz, Michelle (April 17, 2014). "'How to Succeed' playright's [sic] son now lives in Castaway Cove". VeroNews.com.</ref> and Susan Loesser, an author who wrote her father's biography A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life: A Portrait by His Daughter (1993, 2000, Template:Catalog lookup linkScript error: No such module "check isxn".).
He married his second wife Jo Sullivan (born Elizabeth Josephine Sullivan) on April 29, 1959.<ref>NPR Weekend Saturday Edition interview by Scott Simon with Jo Loesser on May 1, 2010</ref> Loesser was introduced to Jo by his first wife Lynn. Jo Sullivan had played a lead in The Most Happy Fella.<ref name=pbs/> They had two children, Hannah and Emily. Emily is a performer who is married to Don Stephenson.<ref>"Emily Loesser, Actress, Marries", The New York Times, May 5, 1991</ref> Hannah was an artist in oils, pastels and mixed media; she died of cancer in 2007.<ref>Simonson, Robert (January 26, 2007). "Hannah Loesser, Daughter of Frank Loesser, Is Dead at 44". Playbill.[permanent dead link]</ref>
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Loesser was the lyricist of over 700 songs.<ref>Review of book "Frank Loesser", Thomas L. Riis, Dec 17, 2007, yalepress.yale.edu, accessed December 5, 2008</ref>
- War songs
- Broadway musicals
- "Once in Love With Amy" from Where's Charley?
- "A Bushel and a Peck", "Fugue for Tinhorns", "If I Were A Bell" (a favorite of Miles Davis, featured in recordings with John Coltrane), "Luck Be a Lady Tonight", "Sit Down, You're Rockin' the Boat" and "I'll Know" from Guys and Dolls
- "Standing on the Corner" from The Most Happy Fella
- "Never Will I Marry" from Greenwillow
- "I Believe In You" and "The Brotherhood of Man" from How To Succeed In Business Without Really Trying
- Films and Tin Pan Alley
- "Baby, It's Cold Outside" from the M-G-M picture "Neptune's Daughter" (1949). This was originally a song which Loesser and his wife Lynn performed at parties for the private entertainment of friends. They also recorded the song for Mercury Records. Under contract to Metro-Goldwyn-Mayer to supply a full score for Neptune's Daughter, Loesser included this song which he had created in 1944, originally for their housewarming party.
- "Heart and Soul" (from the Paramount short subject A Song is Born) – lyrics
- "I Don't Want to Walk Without You" from the Paramount picture Sweater Girl (1942), performed on screen by Betty Jane Rhodes
- "Can't Get Out of This Mood" from the RKO Radio Pictures film Seven Days' Leave (1942)
- "Let's Get Lost" from Happy Go Lucky (1943) This song inspired the title to the 1988 documentary film with the same title about jazz trumpeter Chet Baker.
- "I Wish I Didn't Love You So" (1947), introduced by Betty Hutton in The Perils of Pauline
- "On a Slow Boat to China" (1948)
- "Spring Will Be a Little Late This Year" from the Universal picture Christmas Holiday (1944)
- "Inch Worm", "Thumbelina", "The Ugly Duckling" and "Wonderful Copenhagen" from the Samuel Goldwyn picture Hans Christian Andersen (1952)
- "Two Sleepy People" (music by Hoagy Carmichael) from the Paramount picture "Thanks for the Memory" (1938)
- "What Are You Doing New Year's Eve?" (written in 1947)
- We're The Couple In The Castle (music by Hoagy Carmichael) from the Paramount picture "Mr. Bug Goes to Town" (1941)
Awards and legacy
Loesser received Tony Awards for music and lyrics for How to Succeed in Business Without Really Trying and Guys and Dolls. He was nominated for the Tony Award for book, music and lyrics for The Most Happy Fella and as Best Composer for How to Succeed in Business Without Really Trying. Loesser was awarded a Grammy Award in 1961 for Best Original Cast Show Album for How To Succeed In Business Without Really Trying.
Loesser is highly regarded as one of the most talented writers of his era. He is noted for writing witty lyrics and using clever musical devices. He also introduced a more complex artistic style that shaped the development of the Broadway musical. He was influential in challenging the standard compositional approach of Broadway, Loesser opened the door for later composers to further expand and develop the genre. He was noted for also using classical forms, such as imitative counterpoint (Fugue for Tinhorns in Guys and Dolls).<ref name="Maiers 2009 1–3"/>
He won the 1949 Academy Award for Best Music, Original Song, "Baby, It's Cold Outside". He was nominated four more times:
- "Dolores" from Las Vegas Nights (1941)
- "They're Either Too Young or Too Old" from Thank Your Lucky Stars (1943)
- "I Wish I Didn't Love You So" from The Perils of Pauline (1947) (a hit that year for both Vaughn Monroe and the film's star, Betty Hutton)
- "Thumbelina" (1953)
In 2006 the PBS documentary, Heart & Soul: The Life and Music of Frank Loesser was released.<ref>"Heart & Soul, The Life and Music of Frank Loesser" Archived 2013-01-10 at the Wayback Machine. www.loessermovie.com, accessed 2013-01-11</ref>
42nd Street Moon artistic director Greg MacKellan developed Once In Love With Loesser in 2013, as one of his musical tributes dedicated to exploring and celebrating the work of some of Broadway's greatest songwriters. The performance was built around the three stages of Loesser's career: as a Tin Pan Alley lyricist, then working in Hollywood, and finally as a Broadway songwriter. Jason Graae performed Once In Love With Amy and The King's New Clothes, Emily Skinner sang Cleo's Ooh! My Feet and Amy's Somebody, Somewhere (from The Most Happy Fella), whilst Ashley Jarrett performed If I Were A Bell and Ian Leonard provided a tongue-in-cheek rendition of Sing A Tropical Song.<ref>Heymont, George (26 June 2013). "Some Like It Shot". Huffington Post. Retrieved 30 September 2016.</ref>
- Cogdill, John L. (2010). American National Biography.
- Maiers, Claire D. (2009). Musicians and Composers of the Twentieth Century.
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